After intergalactic
despot Thanos (Josh Brolin) uses the immensely powerful Infinity Stones to
eradicate half of all life in the universe, the surviving Avengers cope with
the aftermath. Some, such as Natasha Romanoff/Black Widow (Scarlett Johansson),
Steve Rogers/Captain America (Chris Evans), James Rhodes/War Machine (Don
Cheadle), and Carol Danvers/Captain Marvel (Brie Larson) continue to operate as
heroes while others like Tony Stark/Iron Man (Robert Downey Jr.), Thor (Chris
Hemsworth), and Clint Barton/Hawkeye (Jeremy Renner) choose different paths. But
when Scott Lang/Ant Man (Paul Rudd) arrives from the quantum realm where time
operates differently, a chance to undo Thanos’s destruction presents itself. Will
the past hold the key to a better future?
To an even
greater extent than its already insular predecessor (2018’s Avengers: Infinity War), Avengers: Endgame is less a standalone
movie and more of a final chapter to a long running cinematic saga. For the
uninitiated and uninvested, sitting through three hours of callbacks,
references, and allusions is torturous. But for those who have kept faith with
Marvel movies, Endgame’s rewards are rich and varied.
A product
of the same team responsible for Infinity
War (the Russo brothers directing, Christopher Markus and Stephen McFeely
writing), Endgame delivers a mix of
action and humor that befits its creators. However, its first half also seems
to owe a spiritual debt to Christopher and Johnathan Nolan as the few brave
souls banding together to utilize risky technology to save a disaster-plagued
planet felt very reminiscent of Interstellar.
Indeed, the first hour – slower-paced and character-driven – does a fine job of
establishing stakes and exploring the vulnerabilities and doubts that even the
powerful and empowered harbor.
In doing
so, the film allows previously underutilized actors to shine. As with Infinity War, Endgame boasts an absolutely massive cast, and some roles are inevitably
reduced to little more than cameos. But here we see Renner give master archer Barton
– absent from Infinity War and long
mocked by the fandom for perceived uselessness – the rage and pain of a
grieving husband and father. We see also Cheadle’s Rhodes step out from the
role of Stark’s sidekick and act as a pop culture-versed voice of reason,
forming an amusing odd couple with Nebula (Thanos’s augmented, resentful
adopted daughter, played by Karen Gillan). On the other hand, the more comedic
takes on Thor and the Hulk offered by Hemsworth and Mark Ruffalo, while
definitely entertaining, tone down the power of both characters to an insulting
degree for plot-convenient reasons.
Speaking
of plot, Endgame has one though it at
times seems like little more than a pretext to revisit and relive former
glories and turning points. Expect flashbacks galore, inspirational appearances
by previously-killed characters, and one final, posthumous Stan Lee sighting. Endgame’s mechanics are best not left to
scrutiny lest contrivance and implausibility overwhelm enjoyment. Look past
that, however, and you will be rewarded with a final battle for the ages:
tense, awe-inspiring, and beautifully choreographed.
The 22nd
film of a cinematic universe that began more than a decade ago, Endgame is not truly the end (more Spiderman, Guardians of the Galaxy, and Black
Panther films are in the works) but it does present several major,
disruptive changes to a status quo and provides a cathartic sense of closure.
You’ll feel drained after watching it, but if you have any affinity for the
MCU, you’ll be glad that you did.
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