Otto and Blue

 

Located at 1807 North Main Street in High Point, Otto and Blue serves Italian cuisine. It is open from 5-9 Tuesday-Thursday, 5-9:30 Friday and Saturday, and closed Sunday and Monday. There is a full bar, and online reservations are available.

Magnolia Blue was one of my favorite High Point eateries. Whether I went for weekend brunch or New Year’s Eve dinner, I never had a bad meal there. It closed in early February for what were supposed to be renovations, only to reopen months later with a new name and a new concept, trading slightly upscale Southern for more upscale Italian. In some regards, this makes sense – it fills a void created by the closure of Lulu and Blu – but in other ways, it’s a massive gamble.

My wife and I went for our anniversary dinner, and while it was an overall pleasant experience, it also made us miss Magnolia. The higher price point is the chief culprit. Otto and Blue offers pastas in the $20s and entrees starting in the $30s, bread and olive oil not included. While we were celebrating an occasion that merited such a splurge, it’s hard to imagine the restaurant remaining competitive at those prices once the sheen of newness wears off.

Look past that, however, and Otto and Blue shines in both ambiance and service. It’s classy without being stuffy, and the dark turquoise tones suit it well. Allison, a Magnolia Blue mainstay, was personable and attentive and provided excellent service throughout the meal.

Otto and Blue’s menu offers apps, salads, pastas, and entrees. It’s predominantly Italian albeit with a few options for the steak-and-potatoes crowd. The dishes range from recognizably classic (rigatoni Bolognese) to conspicuously elevated (halibut piccatta). After mulling over several offerings, we went with the bread service, tagliatelle, and duck cacciatore.

The food ranged from fairly good to outstanding. While $9 for bread is a tough pill to swallow, they executed it as well as they possibly could have: a hot, fresh ciabatta with tasty herb butter, olive relish, and a quality olive oil-balsamic combo as accompaniments. The cacciatore boasted a pair of duck legs confit, and while I’m usually no fan of dark meat poultry, these were prepared well with crispy skin and plenty of meat. For a typically hearty dish, the sauce seemed light (and a bit subdued), but that could be a consequence of serving atop polenta (more absorbent) rather than pasta.  Speaking of pastas and sauces, the tagliatelle hit a nice balance of creamy and zesty without swimming in its white wine lemon sauce. Surprisingly, the highlight of the meal ended up being the dessert that Otto and Blue kindly offered as an anniversary gift. A scoop of vanilla bean gelato came adorned with a Biscoff cookie, a drizzle of olive oil, and a dash of salt. If salt and especially olive oil on ice cream seem vaguely blasphemous, don’t knock it until you try it. Each bite was thoroughly delicious.

It's a given that good food doesn’t come cheap, but even so, Otto and Blue has no margin for error to justify what it charges. On food alone, it was close but not quite there. However, the overall experience made it worthwhile, and I have no regrets about dining here.

The Punisher: One Last Kill

 

Now that he’s finished avenging his murdered family, Force Recon Marine-turned-vigilante Frank Castle (Jon Bernthal) is left haunted by past traumas and lacking a reason to live. Meanwhile, in the wake of his rampage against organized crime, violent street gangs have filled the void in Little Sicily. However, the Gnucci crime family that Frank thought he had extinguished is not finished yet. Matriarch Ma Gnucci (Judith Light) has survived and put a bounty on his head.

A controversial character, The Punisher is easily misunderstood and just as easily dismissed as a simplistic fascist. Across his appearances in Daredevil and his own solo series, Bernthal succeeded in giving the character layers as his iteration of Frank is just as capable of wisecracking and protectiveness as he is of ruthless killing and primal rage. Given this feel for the person behind the skull symbol, it is both confounding and disappointing that Bernthal, who wrote One Last Kill, supplied him with such lackluster material here.

As with The Punisher series, the acting and action outpace the writing. Frank, PTSD-stricken and suicidal, is as broken as we’ve ever seen him, and Bernthal convincingly conveys his pain. At the same time, when he’s backed into a corner, he reverts to being a one-man army, dispatching thugs with guns, knives, bats, and more. While the film was (rightly) lambasted for some dodgy SFX shots, Reinaldo Marcus Green’s direction is largely competent. The real problem here is the tone. Whereas the MCU version of The Punisher has been fairly grounded, the roving street gangs and ultraviolent mayhem push One Last Kill into cartoonish territory. We’ve seen an over-the-top version of The Punisher before in Lexi Alexander’s 2008 film War Zone, and it was something of a guilty pleasure. Here, it accomplishes nothing but undermining the sincerity of the pathos displayed.

Beyond that, One Last Kill does little to move the needle narratively. Returning characters are reduced to hallucinations Frank experiences while new ones get very little development. Some hammy dialogue aside, Light at least leaves an impression during her brief screen time. Andre Royo (of The Wire fame) is wasted as a beleaguered shopkeeper. Thematically, the question that One Last Kill poses about the value of Frank’s crusade was already answered – and answered better – by a fan film (Dirty Laundry, featuring Thomas Jane) more than a decade ago.

Despite these very glaring flaws, One Last Kill doesn’t quite merit an automatic “skip.” It’s only fifty minutes long, and both Bernthal’s acting (as strong as his writing is weak) and the increasingly creative ways Frank inflicts damage may be enough, for some, to justify the investment of that little time. Those wanting more, however, can safely sit this one out and instead look for the character to return in the next Spider-Man film.

Mr. Poke

 

Located at 507 Nelson Street in Kernersville, Mr. Poke offers poke bowls and other Hawaiian fare. It is open from 11-8:30 Monday-Thursday, 11-9 on Saturday, and closed on Sunday. Online ordering is available, and the restaurant offers a loyalty program.

If the construction-inspired traffic delays aren’t a dead giveaway, Kernersville is growing. While a poke bowl place popping up here might have raised an eyebrow a few years ago, Mr. Poke’s arrival is in keeping with that recent growth. Just as there are growing pains, Mr. Poke, open for only a few weeks, has room for improvement.

Positives first: the folks here are very nice and welcoming. Starting at $11.99, the bowls are also a decent value, especially if you stop by at lunch time when a drink is included. There are a half-dozen presets, and you can build your own, offering choice and versatility.

Take a closer look at the menu, however, and things get a bit weird. You won’t find pickled radish, pickled ginger, or purple cabbage among the available toppings, but you will find jalapenos, banana peppers, and tomatoes. These are curious departures, to say the least.

The bowl that I tried was, unfortunately, underwhelming. I went with spicy tuna as my protein, and there was nothing wrong with the fish, thankfully. It tasted fresh, and they got the flavors right. However, pineapple chunks seemed like they were straight out of a can, and the bowl as a whole was rather dry. Being able to include more than one sauce would have remedied this, but the menu did not present that as an option.

For newcomers to poke, Mr. Poke can be a decent entry point. However, if you’ve had poke before, you’ve had it better elsewhere. Here’s hoping that Mr. Poke steps up its game over time.

Atomic Rooster

 

Located at 275 North Elm Street in the Stock and Grain food hall in High Point, Atomic Rooster specializes in hot chicken. It opens at 11 a.m. daily and closes at 7 (Sundays), 8 (Monday-Wednesday), 9 (Thursday), or 10 (Friday and Saturday). Online ordering is available.

Stock and Grain eateries are hit-or-miss for me, but I do like a good hot chicken sandwich. Atomic Rooster boasts several plus chicken strips and starters/sides. It’s a fairly compact menu though it does give you a few permutations (plain, buffalo, Asian, etc.) to choose from.

I went with the Carolina Hot sandwich (chicken, lettuce, tomato, onion, Carolina hot sauce, spicy ranch), which came with a side of hot chips and a choice of dipping sauce. While Stock and Grain prices tend to run high, $14 was in-line with other local options. 

The food, however, proved to be a mixed bag. Both the chicken and chips were nice and crispy, offering a satisfyingly crunchy bite. The chicken may not have been particularly spicy, but it didn’t lack in flavor. It managed to be well-sauced without becoming too much of a mess to enjoy. That said, it was perhaps the thinnest chicken patty I’ve ever seen. Calling it half as thick as the bun would be overly generous, and that cuts into the meal’s value considerably.

You could do worse than Atomic Rooster, but it’s not a place that’s worth going out of your way to frequent.

The Dog House

 

Located at 664 North Main Street in Downtown High Point, The Dog House serves hot dogs, burgers, and sandwiches. It is open from 11 a.m. to 2:30 p.m. Tuesday-Saturday.

Every self-respecting North Carolina town needs an old-school hot dog joint, and The Dog House, in operation since 1942, fits the bill for High Point. Places like this carry a few expectations: simple-but-good food served up by friendly folks in a no-frills environment at a reasonable price. The Dog House checked a few of those boxes, but not enough to make me eager to return.

Positives first: the vibe here is appreciably classic. The booths and stools let you feel like you’ve entered a time warp. The Dog House also turns around orders with impressive speed. When I stopped by to pick up lunch to go, I was out the door in a matter of minutes.

That said, the food here rates as only OK. The buns are soft, but the hot dogs, while certainly not bad, are nothing special. They are also not as cheap as you might think: $3 base price and then $1.75 each for kraut and relish. One can understand that much of an upcharge for bacon, but a nearly $5 hot dog here felt like a reach.

If you want a hot dog in a hurry or want to experience a slice of local history, The Dog House will scratch that itch. Otherwise, there are better lunch options.

That Place in the West End

Located at 750 Summit Street in Winston-Salem’s West End, That Place in the West End serves Asian and American cuisine. It is open from 11 a.m. to 9 p.m. daily. Online ordering and outdoor seating are available.

A funky little spot in a bright blue building, That Place in the West End is a mad science experiment that shouldn’t work but somehow does. It began as a poke bowl place but has since added everything from rice and noodle bowls to burgers and hot dogs to sandwiches and wings. It hasn’t gone full Cowfish (yet), but trying to offer so much is a risky proposition. And yet, if my visit was anything to go by, the eclecticism didn’t come at the cost of execution.

I popped in shortly before noon on a Saturday to find the restaurant mostly empty (though patrons were pouring in when I was ready to leave). It’s definitely a casual space – counter service with disposable bowls – albeit more colorful – and a decent bit costlier — than a fast food joint. I was nearly set on building my own poke bowl when I spotted a cold noodle section of the menu. Peanut salad noodles with shrimp sounded too good to pass up.

My food came quickly, and it hit the spot. The peanut sauce had a spicy kick, the cabbage and peanuts offered a satisfying crunch, and the shrimp were cooked well. I had lowered my expectations based on the atmosphere, but I shouldn’t have: this dish would have held up at a more upscale place.

With so expansive a menu, I don’t know if That Place in the West End can keep up the quality across the board, but I would gladly return to this place for more noodles. Or a poke bowl. Or a burger. Or fried chicken. Or… 

Peaky Blinders: The Immortal Man

 

In 1940, former gang leader-turned-politician Tommy Shelby (Cillian Murphy) is living as a recluse and writing a memoir while haunted by past losses. His estranged son Duke (Barry Keoghan) has taken up leadership of his gang, the Peaky Blinders, and uses violence to intimidate the locals despite the outbreak of war. Nazi collaborator John Beckett (Tim Roth) approaches Duke with a scheme to crash the British economy by flooding it with counterfeit money, for which the Peaky Blinders would be paid handsomely. A visitor with a connection to both Tommy and Duke tries to bring the former back into the fray to reach out to the latter, but will it be enough to prevent calamity?

During its nearly decade-long run, Peaky Blinders was a sometimes-excellent series occasionally hampered by pacing issues and the odd creative blunder. Stylish and soulful, it boasted strong lead performances, but the six-episode seasons left the storytelling feeling rushed, and it somehow managed to get a bad performance out of the talented-but-woefully miscast Anya Taylor-Joy. Picking up the story seven years later, The Immortal Man offers many of the same virtues and vices.

Oppenheimer may have been Murphy’s biggest break, but Tommy Shelby arguably remains his best role. He’s able to convincingly portray everything from steely resolve to complete devastation and anguish, all without saying terribly much. Keoghan, replacing the younger Conrad Khan, layers in hurt and inner conflict beneath his sneering, nihilistic façade. Among the newer additions, Rebecca Ferguson is reliable as always even if her character’s entry into the story seems contrived. Roth manages to make his evil Nazi disarmingly genial though Beckett is a fairly forgettable character, especially compared to the series’ villains.

Created by a proud Brummie (Steven Knight), Peaky Blinders captured Birmingham’s industrial grit and juxtaposed it with an untamed countryside. These contrasts not only made for striking television, but they spoke to Tommy’s dual legacy: that of a British social climber and a Romani/Traveller leader. The Immortal Man continues and complicates this tendency. Birmingham is now bombed and battered while the countryside is as haunted as the film’s protagonist. As with the series, The Immortal Man benefits from a moody, well-chosen soundtrack, including the series’ unofficial anthem (“Red Right Hand” by Nick Cave and the Bad Seeds).

The Immortal Man clocks in at just under two hours, and it’s a taut, well-paced affair with sure-handed direction courtesy of Tom Harper. Some of its beats are a bit predictable, but given how much the film addresses themes of fate, there’s at least some context for that. Less pardonable, however, is the disconnect between the film and the show as several characters who should rate at least a mention are left out completely. But just as the series struggled to fit an entire season’s worth of storytelling into six episodes, so too does The Immortal Man find it challenging to serve up a grand finale in about two episodes’ time.

While it may leave fans of the show wanting more, The Immortal Man is powerfully acted and aesthetically sharp if narratively underbaked.