After the menacing dragon Smaug (voice of Benedict
Cumberbatch) is slain by Bard the Bowman (Luke Evans), a displaced company of
dwarves is finally free to reclaim its former home in the Lonely Mountain.
Having a vast treasure at his disposal, however, turns dwarf king Thorin
Oakenshield (Richard Armitage) greedy and paranoid. When his refusal to
compensate his human and elven allies puts their forces at the brink of war,
hobbit thief Bilbo Baggins (Martin Freeman) must take drastic action.
Meanwhile, an orc army seeks to capitalize by launching a massive invasion.
The third and final film in Peter Jackson’s Hobbit trilogy, The Battle of the Five Armies is less a
standalone work and more a reward to fans for their exceptional patience. After
shamelessly padding the previous two installments, the finale clocks in at a
relatively lean 144 minutes, and much of that running time is filled with
action. The thinness and predictability of the plot would ordinarily be a major
demerit, but in context, it makes for a satisfying conclusion to a sprawling
saga.
Like all of Jackson’s Tolkien adaptations, The Battle of the Five Armies is
well-shot and visually immersive. There are some places where the CGI is a bit
too conspicuous (witness a puff of smoke frozen perfectly in place), but for
the most part, the film successfully brings Middle Earth to life. The action
sequences are similarly well-crafted. Though nothing here quite matches the
previous film’s barrel scene, a late battle lets Legolas (Orlando Bloom)
demonstrate some innovative swashbuckling. It’s also quite satisfying to watch
Ian McKellen (Gandalf the Grey) and Christopher Lee (Saruman the White) beat
down foes with wizard staffs at 75 and 92 years old, respectively.
As mentioned previously, the plotting here fails to inspire.
Everything that transpires reads as a mere prelude to the inevitable battle,
but the lulls in the action do allow for some character development: namely,
Thorin loses and regains his honor, and elf warrior Tauriel (Evangeline Lilly)
learns that pain comes with love. Her ill-fated romance with dwarf Kili (Aidan
Turner) remains improbable and divisive, but it does fulfill the function of
giving the film a “B” story.
For all its ridiculous moments - Thorin’s declaration that
he won’t part with a single coin is inexplicably delivered in slow motion, and
the film’s fauna are something else (a dwarf chieftain rides a boar while elf
king Thranduil favors a war elk as his mount) – The Battle of the Five Armies entertains more often than it
frustrates. It is by no means Jackson’s finest work, but it succeeds ably at
bridging the gap from one trilogy to another and should satisfy fans of both.
8/10
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