Dominican born, New Jersey raised Yunior grows up under the
thumb of his mother and in the shadow of is older brother Rafa, a shameless
ladies’ man. As Yunior gets older, he tries to avoid becoming a “sucio” (pig) like
his brother and their absent, philandering father. But a string of failed
relationships suggests that it may be his destiny.
Junot Diaz first made a name for himself with his debut story
collection Drown. That was also the
book that introduced Yunior, his autobiographical proxy. After branching out
into novel territory, 2012’s This Is How
You Lose Her marks a return to his short story roots. But those who enjoyed
The Brief Wondrous Life of Oscar Wao’s sprawling
narrative and copious (and often hilarious) footnotes needn’t fear: there’s
plenty to love in this anthology.
Diaz’s calling card has always been his idiosyncratic style:
an odd mixture of lyrical erudition, naturalistic dialogue, and English and
Spanish slang that seizes readers by the throat and forces them to pay
attention. You might suspect that at 44, the author has mellowed with age, but
you’d be wrong. The prose in his latest work is as fresh as ever, and though
the patois will confound non-Spanish speakers at time, it creates an air of
absolute authorial authenticity. This isn’t the second-hand posturing of a
middle-aged academic; this is real, son.
Diaz extends this no holds barred honesty to his
characterization, even (or perhaps especially) those characters based on his
family members. He refuses to pull any punches in depicting his older brother
as a reckless, skirt-chasing, misogynistic asshole despite the fact that Rafa
is a.) dying through much of the narrative and b.) probably sorely missed.
Likewise, though Yunior is engendered with a certain amount of sympathy, he is
still a cheater and something of an opportunist.
Like any story collection, This Is How You Lose Her fluctuates in quality, but there are no
duds here. Even the weakest pieces – one written in the second person, one
written with a female narrator – are still worthwhile as changes of pace. The
strongest offering is arguably the last story, The Cheater’s Guide to Love, in which several years of relationship
agonies are played out across the page.
Despite all its high points, This Is How You Lose Her is still not the author’s best work. It
lacks the sympathy of Drown and the
weightiness of Wao. But those who get
caught up in the superficiality of the plot (a character based on the author
tries to pick up chicks) or the novelty of the style and dismiss it as
self-indulgent naval-gazing are missing a lot that is working beneath the
surface here. Assimilation, masculinity, family dynamics, cultural norms, and
faith are all explored incisively. Not bad for a book whose title only suggests
lost love.
8.5/10
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