Bad Blake (Jeff Bridges) is a washed-up, alcoholic country music star who is reduced to opening and writing songs for his former protégé, Tommy Sweet (Colin Farrell). When journalist Jean Craddock (Maggie Gyllenhaal) approaches him for an interview, they connect and he becomes a father figure to his young son. But will Blake, who is already alienated from his biological son, allow his bad habits to screw up the opportunity?
Crazy Heart is ample evidence that a great performance does not a great movie make. Scott Cooper’s film is slow-paced and conventional to the point of tired. There are numerous similarities to Tender Mercies, right on down to a shared cast member (Robert Duvall). And didn’t Mickey Rourke’s turn in The Wrestler make the “aging screwed-up has-been turns his life around” subgenre obsolete?
Nevertheless, this isn’t worth discarding. Bridges, in an Oscar-winning role, is excellent as the irrepressible Blake, a composite of Kris Kristofferson, Merle Haggard, and several lesser-known musicians. Gyllenhaal and Duvall (as Blake’s sympathetic friend) are rock-solid as voices of reason. Even Farrell is strangely credible as the young upstart Sweet.
Fans of country music will probably be enthralled by the behind-the-scenes talent. In addition to the leads laying down their own vocals, Crazy Heart features contributions from T-Bone Burnett and Ryan Bingham (who won an Oscar for the song “The Weary Kind”). As someone who nearly cringes every time country is played, I can’t say I’m in a position to appreciate any of it.
When all is said and done, Crazy Heart’s tired tale of redemption has just enough juice to win audiences over. You’ll probably like it, but you won’t be able to shake the feeling you’ve seen it all before.
7.25/10
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